madame_guillotine: (e)
posted by [personal profile] madame_guillotine at 01:09pm on 31/05/2009
I think my next writing project is going to be a total rewrite of the Versailles P*rn that I wrote a couple of years ago. By total rewrite I mean:

1. Condensing about 800,000 words to just 150,000.

2. Starting the book in 1789 instead of 1786.

3. Changing the relationships of some of the characters.

4. Switching from omniwhatsit to first person perspectives of the three main characters.

I have NO idea how this will turn out but am hoping that I will end up with something a lot tighter and better than the last effort. I don't think that I will be blogging it as I go along but may put the first couple of chapters online depending on how it turns out.

Anyway, in the meantime have three Vigée-Lebrun portraits that I fondly imagine resemble my heroines:




La Belle Cassandre.




Adélaïde.




Lucrèce.
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posted by [personal profile] madame_guillotine at 11:54am on 30/05/2009
This is my last weekend of FREEDOM before I start working in earnest again next week. I am going to do some housework and try to declutter a bit. I might go to the local florists and buy some more pot plants for the kitchen and sitting room.

I may also do some writing. I think I know what I will be writing next but it needs a little bit of prior research first. I have just ordered copies of:










Which should give a clue about the sort of thing that I am writing about!

I also have this little gem winging its way to me thanks to Ebay and a very, very lovely seller. I have desperately wanted this book for ages but managed to miss the auction so ended up emailing them to ask if they were going to relist. They not only relisted it for a 24 hour auction but also stopped it when I put a bid on so that I could have it straight away! How nice is that? I got it for the princely sum of 99p! :)




It's about the Duchesse de Choiseul and is a great source of information about the French court in the latter part of the eighteenth century. I am SO excited to finally own my own copy! :)
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posted by [personal profile] madame_guillotine at 11:53am on 30/05/2009


The first Marie Antoinette book is now finished! Hurrah!

The blog will continue for a couple of weeks while I decide what to do. I will carry on with Marie Antoinette at some point but really want to write about something different now! Where to now? Back to the French Revolution or to eighteenth century Bristol or 1930's England and Egypt or 1888 Whitechapel? Hm. Wherever I go, I will be blogging it as I go. :)

Anyway!
madame_guillotine: (c)
posted by [personal profile] madame_guillotine at 01:56pm on 27/05/2009
I am planning to go to Paris on the nineteenth of October with Oscar and, hopefully, [personal profile] sushidog and stay for about four nights in an apartment so that I can revisit the Conciergerie, Versailles, Carnavalet, Louvre and Musée de l'Arts Décoratifs. Oh and eat several salades composées and buy lots of macarons, posters, Eiffel Tower souvenirs and books!




Anyway, some short book reviews. I bought all of these in hardback, which I rarely do and thought I should cram them all in before the paperbacks come out and I kick myself for not waiting!:




I really enjoyed this and would recommend it to anyone interested in the French Revolution and ancien régime high society! I am a sucker for books about this period, have a bias towards the aristocracy (I am really not interested in poor people, sorry!) and especially love ones that feature real historical figures so thought this was great!




I first read Madame de la Tour du Pin's memoirs when I was a teenager and have reread them regularly ever since as they are an essential part of anyone's research into French society and court life at the time of the Revolution. I was thrilled to find out that this was book was imminent and snapped it up straight away as Lucie de la Tour du Pin was so fascinating. I really enjoyed reading more about her and again this is recommended.




I had been hoping for a decent modern biography of Marie-Thérèse for ages before this came out and so was really excited when I saw this appear on Amazon a year before it was released. I wish I could say that it surpassed all expectations and justified my excitement as the release date grew ever closer but I don't know, there is something wrong here and I can't quite put my finger on it. It is still worth a read but I think there is room for a few more books on this subject.
madame_guillotine: (f)
posted by [personal profile] madame_guillotine at 05:49pm on 25/05/2009
I am having a bit of break from work, which is nice. Dave and Oscar are asleep in the bedroom and Felix is making a Lego Police helicopter. I might make the most of the peace and quiet and watch the 2005 Pride and Prejudice.










Most people seem to really hate it but I actually prefer it to the BBC series with Colin Firth. Mainly because I think Matthew Mcwhatsisname is exceedingly fine. My word!

I sold my pram last night and we are buying one of these later on to replace it:




It's a Quinny Zapp in the 'Breen' colourway. I think it looks lovely. The old pram is being collected tomorrow by courier so hopefully I won't have to go for long without one. :)

Further to my recent post about Madame Récamier, I found this photo I took of her bust in the Bristol City Art Gallery:




I love taking photographs of sculpture. Just look at the detailing at the back of this bust of Marie Antoinette in the Louvre:






I have become a bit addicted to Drink Me chai latte, which is mostly caffeine free and is a great alternative to coffee in the morning. I would like to pretend to you all that I look like this when I drink it:




But that wouldn't be exactly true. :)

I had my first ever eye test today and was fully expecting to be told that I need to wear glasses. In the end I was informed that actually my eyesight is excellent and my eyes are perfectly healthy.
:)


madame_guillotine: (c)
posted by [personal profile] madame_guillotine at 11:48am on 24/05/2009


Not much is known about Émilie, who was reputed to be one of the most beautiful women in Paris at this time. She was born Charlotte-Rose-Émilie Davasse de Saint-Amarand in 1775 in Paris and although her mother was married to Monsieur de Saint-Amarand (Sainte-Amaranthe was an affectation) at the time, it is speculated that he was not in fact her father as the beautiful Madame de Sainte-Amaranthe was mistress to several prominent men at the time such as the Prince de Condé and the Vicomte de Pons, who was whispered by many to be Émilie's father and who was extremely fond of her. She was also to have a son, Louis, who was born in 1777.

This got quite long )
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posted by [personal profile] madame_guillotine at 11:48am on 24/05/2009


This is a photograph of Princess Diana, taken on the day that I met her in Summer 1988. Note that she was wearing a large amount of blue eyeliner. The mortar board is in honour of the Royal College of Surgeons as she was there to present degree certificates or something or other. I was asked along to meet up with her privately after the ceremony and present a bouquet of flowers. I will never forget the sick feeling of mingled dread and panic that overcame me when she walked down the stairs and came towards me. I was so terrified that I had to be reminded to curtsey and couldn't reply when she chatted to me about my red dress and red hair and the clash thereof, no doubt. I remember her commenting on how we matched because we were both in red and everyone laughed as though it was the funniest thing ever.

I really like this photograph as for once you can actually see why people raved on about how beautiful she was.

She had extraordinarily soft hands. You would expect callouses due to all that hand shaking. ;)
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posted by [personal profile] madame_guillotine at 11:47am on 24/05/2009
The painting of the Duc de Choiseul reminded me of my webpage about his niece, who was guillotined during the Terror and was in fact one of the very last victims.



Françoise-Thérèse de Choiseul-Stainville, Princesse Joséph de Monaco is one of my personal obsessions. She is one of those historical figures that one will glean random odd facts about from different sources but who will never get her own book. One is always left looking for more. Françoise-Thérèse was the daughter of Jacques Philippe de Choiseul, Comte de Stainville and his wife, Thérèse de Clermont d'Amboise who married on 3 April 1761 in Paris. Jacques was the younger brother of the powerful Duc de Choiseul, advisor to Louis XV while Thérèse was the daughter of the Marquis de Reynel. The match produced two daughters: Marie-Stéphanie on 10 November 1763 and Françoise-Thérèse on 8 December 1766. The marriage was not a happy one and both parties were unfaithful - the Comte de Stainville, as was the custom of the time got away with this but Madame la Comtesse was found out, disgraced and immured in a convent, where she eventually died as a social pariah.




(Painting of the disgraced Madame de Stainville with her sister in law Béatrix, Duchesse de Gramont and the Duc de Biron.)

The two Stainville girls were sent to convent school at this time although rumours abounded that the younger was not the daughter of the Comte, which may explain why the Choiseul family took little interest in her, led by the fearsome Béatrix, Duchesse de Gramont, who was the favourite sister of the Duc de Choiseul and ruled the rest of the family with an iron fist. The only exception to the cold shouldering was her aunt by marriage, the Duchesse de Choiseul who was extremely fond of her, probably because she was just as ignored by the Choiseul family due to her mercantile origins.




(The Duchesse de Choiseul.)

The rumours about Françoise's parentage did nothing to deter suitors and on 6 April 1782 she was married to Joseph Grimaldi, son of Honoré III Grimaldi, Prince de Monaco and Mary Catherine Brignole-Sale, which was a brilliant match. The young couple were extremely fond of each other and had three daughters: Honorine, born on 22 April 1784; Athénaïs, born on 22 June 1786 and Delphine, born on 22 June 1788.

Françoise emigrated after the initial outbreak of the Revolution in 1789 and travelled Italy with her friend Aimée de Coigny, Duchesse de Fleury. She met with the famous artist Vigée-Lebrun, who admired her sweet expression and became great friends with Emma Hamilton when they met in Naples. The principality of Monaco signed a treaty with France on 21 September 1791 but on 14 February 1794 Monaco was annexed to France, with disastrous results for Françoise, who up until that date had been regarded as a foreigner in France and was therefore free to travel as much as she liked. As soon as she became a French citizen again in 1793 she immediately returned to Paris in order to avoid being denounced as an emigré and losing her property, however it was too late and she was arrested in Paris while trying to regularise her situation. She presented forged residence papers and was released, at which point it was discovered that her husband had joined the royalist insurrection in the Vendée. Another warrant was issued for Françoise's arrest and she was hidden by a friend, Rollet d'Avaux in her old school, the exclusive convent school Panthémont on the Rue de Grenelle.

She was eventually arrested in the Winter of 1793-4 and sent to the Petit Force, one of the very worst Parisian prisons. She was later transfered to the Anglaises, which was much more comfortable and then later moved on to Saint-Pélagie. During this time her scary aunt Béatrix was also guillotined, defiant and haughty to the last. She was denounced by a prison spy, Ferrières-Sauvebeuf and then promptly sentenced to death. The Princesse immediately responded by informing the authorities that she was pregnant - pregnant women were not executed until their children were born so this postponed execution.

She wrote this letter to Fouquier-Tinville:

"Citizen, I wish to inform you that I am not pregnant. I wanted to tell you. Though I can no longer hope you will come, I beg you do so nonetheless. I did not soil my mouth with this lie out of fear of death, nor to avoid it, but to give me one day more, so that I might cut my own hair, and not have it done at the hands of the executioner. It is the only legacy that I can leave to my children; at least it must be pure.

Choiseul-Stainville-Joseph-Grimaldi-Monaco, foreign princess, and dying from the injustice of French judges.
"

To her children she wrote:

"My children, here is my hair. I have postponed my death by one day, not out of fear, but because I wanted myself to cut off these sad remains of me so that you might have them. I did not want it to be left to the hands of the executioner and these were my only means. I have spent one more day in this agony, but I (crossed out) do not complain.

I ask that my hair be put under glass, covered with black crepe, put away for most of the year and brought out only three or four times a year in your bedchamber so that you may have before you the remains of your unfortunate mother who died loving you and who regrets her life only because she can no longer be useful to you.

I commend you to your grandfather: if you see him, tell him that my thoughts are with him and that he stands in place of everything for you, and you, my children, take care of him in his old age and make him forget his misfortunes.
"

To her children's governess she wrote:

"I have already written to you and I am writing to you again to commend my children to you. When you receive this note, I shall be no more, but let my memory make you take pity on my unhappy children. That is the only feeling that they can now inspire.

I leave you, as a souvenir, the ring in which my children's names were inscribed and which you should have received by now - it is the only thing at my disposal to give. Let Louise know the reason why I postponed my death, that she may not suspect me of weakness.
"

She cut off her long hair with a piece of broken glass and it was indeed smuggled to her children who were safely in Monaco by this stage. It is still kept in the Grimaldi palace in Monaco, protected from the elements in a glass case under a cloth.

The delay meant that the Princesse was in what was to be the very last such tumbril from the Conciergerie on the afternoon of 9 Thermidor 1794. The cortège was held up by excited crowds in the wake of Robespierre's fall that day but the executions continued nonetheless. She was the last person to be guillotined that day and as Olivier Blanc writes: 'She climbed the steps in her turn. On the platform, her youthful beauty shone in the dazzling July light.'

Her last words? 'Courage! Only crime can show weakness.'
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posted by [personal profile] madame_guillotine at 11:46am on 24/05/2009
Waddesdon Manor have just acquired this 1785 portrait of the Duc de Choiseul by Adélaïde Labille-Guiard.



It really is magnificent and I am almost tempted to make the trip to see it for myself, maybe next weekend. The Callet portrait of Louis XVI might be on show as well as we didn't get to see it last time as it was hidden around a corner in the dining room and they wouldn't let us in to have a quick look. The gits.



The best portrait at Waddesdon is the gorgeous Élisabeth Vigée-Lebrun painting of Marie Antoinette's favourite, Yolande-Gabrielle de Polastron, Duchesse de Polignac. I had seen it reproduced so many times that actually seeing it for myself was really quite overwhelming.


madame_guillotine: (c)
posted by [personal profile] madame_guillotine at 11:45am on 24/05/2009


Another poster from the Louvre that currently resides in our home, this time in our sitting room. This portrait was painted in 1800 and depicts Jeanne-Françoise Julie Adélaïde Bernard, better known as Madame Récamier.

Juliette Récamier is probably best known now for this portrait, which has remained unfinished since the artist, David, discovered that she was also posing for one of his rivals Gérard and threw a total hissy fit about it. David was a bit prone to this sort of thing.





Portrait of Madame Récamier by Gérard, now hanging in the Carnavalet, Paris. Photos by me. :)


At the time though she was best known for her weekly salon where the greatest minds of the day would gather and converse pretentiously in that annoying way that only the French have about literature and so on. She was also well known for only ever wearing white, for remaining a virgin for an unusually long time, for being incredibly wealthy, for being the mistress of Chateaubriand (who is best known for giving his name to a steak dish but was a famous writer and diplomat in the nineteenth century), for being the subject of an enormous girl crush on the part of Madame de Staël and, oh yes, for marrying her own father.

Wait, what, I hear you cry. Well, like that earlier French beauty and icon Madame de Pompadour, it is not altogether clear who the lovely Juliette Bernard's father was and there is reason to believe that the enormously wealthy banker Récamier, who was thirty years her senior and who she married at the age of fifteen was actually her father and had hit upon matrimony as a novel way of making sure that she, his illegitimate daughter, inherited all of his wealth when he died.



I came across an unusual depiction of Madame Récamier many years ago when I went to the Magritte show at the Hayward Gallery in London. The last exhibit was a large sculpture of a coffin arranged to look like Madame Récamier upon her couch, with a lamp placed nearby as in the painting. Stark but effective.




There is also a painted version:




Madame Récamier died of cholera at the grand old age of seventy one, allegedly as beautiful as ever although I am sceptical about this.


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